SYNCCINEMA

  V – Entertaining and Innovative in the space of familiarity. In an Interview of Mohan Krishna Indraganti, the Writer and Director said that the core story of V was shaped out way back in 2006. In 2018, post-Sammohanam, Dil Raju (Producer) longed for a script like V as the markets for such genre had just opened (  Ratsasan  etc.). So V is a culmination of your Garden-side Psycho-police mind games with the action entertaining elements and release might be the case of right ( I’d love to call it manageable) concept at the wrong time. The endless list of external travesties like # Nani25 , # NanivsSudheer , #Sept5release ( which is the date of #Nani1 release –  Ashta Chamma )  and many more made the movie look more stale. One more important factor is the influence of current Psycho Killer genre in a yester decade  script. The audience has become smart, mature and very much exposed to all the brilliant content outside of  Tollywood  and a movie this cheesy in presentation wit

c u soon. – This multifaceted drama proves the point of the filmmaker to have a superiority of the subject over the wisely chosen format of  shot on iPhone  which enhanced the cinematic storytelling . Mahesh Narayanan and team’s decision to narrate the story with the diluted pixel and boxed screens of social networking chats and video calls is a rather intelligent and pinnacle move in 2 major ways. First being the innate advantage of propelling the screenplay and edit rivetingly by having full grip over the planting, payoff and the medium of information that can be fed to the audience, as there is not  physical  shoot of any sorts. This is the filmmaker’s scalpel for un-boxing the genre they are exploring the way they want. Second is the audience’s reciprocating reaction to the medium of information deliverance, where we become the spectators or rather the  3rd set of eyes and ears  between a web chat or Duo call. This mode limits us from abstaining any necessary information